Thursday 6th April 2017 – Glasgow University Chapel
Doors open at 7.30pm
Midori Takada is a Japanese percussionist whose output over the past 40 years weaves through solo, group and theatrical practices. Her deep quests into traditional African and Asian percussive language are captured on a series of now highly sought after albums including her masterpiece Through The Looking Glass (1981/RCA) and her collaboration with Masahiko Satoh Lunar Cruise (1990/Epic-Sony), both of which will be reissued on Swiss label WRWTFWW in 2017.
In chime with the peak period ambient and Fourth World musics explored by Jon Hassell, Don Cherry and Brian Eno, but born of a distinctly Japanese ceremonial and meditative musical sensibility, her work has a crystalline quality that distills rhythms from around the world into transfixing minimalist dreamscapes.
Midori Takada’s performance is made possible courtesy of support from the Great Britain Sasakawa Foundation.
Music for pipe organ Stiehr-Mockers 1848, Bird Calls, Baroque Violin, Tin Whistle, Boîtes à Bourdons, Landscape Piano, Motorised Bow, Standuino Pi Synth, Microphones, Hurgy Toys, AM radio, Church Bells, Uillean Pipes and Hulusi.
Pancrace is an improvising quintet comprising French, British and Austrian performers. The members include Prune Bécheau, Arden Day, Julien Desailly, Léo Maurel and Jan Vysocky. Pancrace is also the name of the church in Dangolsheim Alsace located next to where the instrument inventor Léo Maurel lives. Maurel makes ingeniously designed instruments inspired by the hurdy gurdy. In Pancrace one can hear many of his shape-shifting instruments and devices being twiddled without knowing which are bowed, plucked, hammered or rubbed.